Producing Who

We’ve all got our favourite era of Doctor Who, but such eras are often voted by Doctor, but that ignores the fact that some Doctors had more than one producer guiding their adventures. So now’s your chance to vote on the best era of Who, by producer…

*Choosing the producers was fairly straightforward, since the 'showrunner' (to use the modern term) has always been well-defined on television. I have, however, included Gary Russell in this list due to one important fact; during the wilderness years of no televisual adventures, he was the producer of official BBC-licensed material featuring the original cast from the TV series and was, arguably,the only real contender for 'true Doctor Who' during the years when Who was off our screens. (You are free to disagree with this, and if you do, then just don't vote for him. No issue.)

Deleted Scenes – From Me to You

Well, it’s a lovely sunny Spring Saturday (ah, alliteration!), so I decided to offer you wonderful people who’ve been saying such nice things about my book a little insight into what might have been…

Candy_Jar_LS_Front_BFormat_classic_SmallThree scenes deleted from the final manuscript of The Forgotten Son. Two underwent massive rewrites, while the third was completely excised, although it still fits in the book continuity so it can be considered canon if you like.  :)

Hope you all enjoy, but be warned, if you haven’t read the book, there will be SPOILERS within.

Download Forgotten_Son_Deleted_Scenes here!

A Brief History… FREE

We all like a little bit of free reading material, right? Well, that’s good as I have something free to give to whoever wants it.

tve14908-98-19680210-0A Brief History of the Lethbridge-Stewarts is a little work of fiction, an excerpt from a larger fictional book by everybody’s favourite irritating journalist, Harold Chorley!  It’s ‘in-universe’, which means officially part of the Lethbridge-Stewart canon and gives a few hints at the larger picture of the series.

Alas, it’s only available in pdf… A Brief History of the Lethbridge-Stewarts.

Origin of the Ancestry

The Forgotten Son has been out almost three weeks (or more, if you pre-ordered it) and it has garnered a lot of positive feedback, with mostly four-star reviews. People seem to really love it, which bodes well for the series as a whole.

But there is one point raised by a few readers which I want to address here. In The Forgotten Son I establish that Alistair Lethbridge-Stewart was born in Cornwall. This has confused some readers, who tell me ‘but he’s Scottish’. Which leaves me to wonder; is he? From where did you get this information?

1301aMy first source of reference is, and always will be, the television series. I have watched every story featuring the Brigadier many times, not only since 1988 when I was first introduced to the character, but also for research purposes. The only story which even suggests his origins is Terror of the Zygons, the season thirteen opener which is set in Scotland. In the early moments of the episode the Doctor, Sarah and Harry arrive at the Fox Inn to find the Brigadier in a kilt. What follows is this conversation:

SARAH: Anyway, it’s nice to see you again, Brigadier.

BRIGADIER: And you, Miss Smith.

SARAH: Though I didn’t expect to see you in a kilt.

BRIGADIER: My dear Miss Smith, as you remember, my name is Lethbridge-Stewart. The Clan Stewart.

SARAH: Oh, sorry. I thought you were doing a Doctor.

BRIGADIER: What an absurd idea.

At the end of the story, the Duke of Forgil questions the Brigadier for not taking back the Doctor and Sarah’s return tickets to British Rail and getting a refund; ‘I thought you were a Scotsman,’ he says, and receives a bemused smirk from the Brigadier.

From these two exchanges it would appear that many have drawn the conclusion that the Brigadier is Scottish. Which is, on the surface, fair enough. (Of course, that he was originally in the Scots Guards could be used to back up this conclusion, except not every officer in the Scots Guards is Scottish.) However, a few points seem to be ignored when drawing this conclusion. The Brigadier does not sound Scottish in the slightest, which at least suggests he was not raised in Scotland or the north of England, and, most importantly, his name.

Exif_JPEG_PICTUREI looked it up, trying to discover where ‘Lethbridge’ originates, and it would appear to have come from a place name in Devon that no longer exists. The family name was derived from this place and has, over the centuries, been altered to the current form of ‘Lethbridge’. Indeed, to this day, the Lethbridge Baronets are a large and distinguished part of Devon heritage. From this it is clear that at least half of the Brigadier’s ancestry is English, while the other half is, as stated in Terror of the Zygons, Scottish as a once-part of the Clan Stewart.

None of which suggests he was necessarily born in Scotland – granted, beyond his accent, there’s nothing to suggest he wasn’t born in Scotland either. So, taking my cue from other Doctor Who media beyond the TV, I decided that the Brigadier wasn’t born in Scotland at all, as his accent suggests – an accent refined by schooling, no doubt. I went for Cornwall simply because of its proximity to Devon and the fact that the Brigadier always seems so at home whenever we see in villages on television.

stewart-clan-crestAs an interesting addition, in Lance Parkin’s The Dying Days, published in 1997, we learn about William Lethbridge-Stewart who was a friend of King James VI. Seeing no reason to contradict this, I have merged this information with soon-to-be established information, as seen in this excerpt from a yet-to-be released document called A Brief History of the Lethbridge-Stewarts:

‘The first recorded Lethbridge-Stewart was William Stewart, born in 1567. He was of the Clan Stewart, a relative of the Stuart Kings of Scotland.  He grew up to be friends with James VI, and was with him when the young king claimed the English throne after the death of Elizabeth I in 1603. By this time William had already met and married Mary Lethbridge, the daughter of the influential Lethbridge family in England – a marriage that was only approved on the condition that the Lethbridge name be maintained in conjunction with the Stewart name.’

And thus the ancestry of the Brigadier is explained in a way that does not contradict what’s been established on television, and successfully extrapolates information given and real life fact.

As an aside, William Lethbridge-Stewart was, one imagines, named after Nicholas Courtney himself, whose full name was William Nicholas Stone Courtney. Naming fictional characters after the real life people who inspired them is a fine tradition of authors all over the world, and one I like to keep alive. Indeed, in the Lethbridge-Stewart series I have named several characters after real people, or people that are connected to those who inspire the characters. Like Colonel Pemberton, a character referenced in the television story, The Web of Fear, who was named by writer Mervyn Haisman after his good friend Victor Pemberton, Doctor Who author and script editor. As a tribute to Pemberton’s life-partner I christened the character with the full name of Spencer David Pemberton (Victor’s partner was actor/producer David Spenser, who died in July 2013). There are other characters inspired by real people in The Forgotten Son – whoever can name the most, will receive a special prize from me (responses in the comments below, or email me:


LSbanThe day is here. After almost eight months, Lethbridge-Stewart the series officially begins today. Pre-orders have been shipping the past week, but today is the day that sees the first book in the series available to the public at large. It’s been quite a long journey, but worth every second, although now the book is out there I’m in a position of waiting to see how well I, and the rest of the team at Candy Jar Books, have done my job. Reviews have started coming in, and here are a select few from pre-order readers:

It felt like I was watching it on television, picturing it clearly in my mind’s eye as I was reading, hearing the characters’ voices as I watched the events unfold.  Much like The Sarah Jane Adventures offered a deeper look into one of the Doctor’s best loved companions; Lethbridge-Stewart offers a deeper understanding of one of his greatest human allies. – Katt at Nerdversity

A very good launch to a new series of books looking at Lethbridge-Stewart’s history between The Web of Fear and The Invasion. Very well written, if you know your Who you’ll probably be one step ahead of Alistair, if you don’t you’ll enjoy it just the same. Well recommended. – Goodreads’ reader.

Screenshot 2015-02-24 15.35.50I did have a worry that like some of the New Adventures – which I think I read somewhere was an inspiration to the author – this story wouldn’t fit in with the fictional universe of Doctor Who in the 1960s – by being too modern in its approach. But this achieves the aim of presenting something broader and deeper (to coin a phrase from the NA series) than ‘60s Who without compromising its style and principles. I almost felt this was the novelisation of a spin off series broadcast just after the watershed on a Sunday in 1968 – faithful to its time but still doing something a little different than the parent series. – Reviewer on GallifreyBase Forum

With a number of mysterious layers to intrigue and entice, the puzzle over the colonel’s background and the disappearance of a dead soldier to keep you guessing, The Forgotten Son is a superb opener to the series, mixing recognisable Who lore, suppositions by cast members, tear-jerking dedications, a foreword by the great Terrance Dicks, and the familiar smile of the man we came to know as the Brigadier. – Kasterborous

10947198_10152633322626190_5616946692644792625_n… Which do rather suggest that it’s not a bad book. I certainly hope so. In many ways this is the culmination of my journey as a writer thus far, where my professional career smashes head first into the most important fictional escapism I had growing up. And, of course, from a fan point of view, I am aware of how many people are invested in the lead character and the responsibility resting on The Forgotten Son as the first book in the series.

The book can picked up from any book shop (although they’ll probably need to order it in), with digital editions available from all good eBook stockists. You can buy the paperback online direct from Candy Jar Books, or various retailers via Amazon, and places like the Book Depository.

Alternatively, if you can wait until Saturday, you can drop by The Who Shop in London and buy a copy there, and get it signed by not only me, but Terrance Dicks, Ralph Watson (who played Captain Knight in The Web of Fear), Hannah Haisman and, if you time it right, maybe even get a scribble from David A McIntee and Nick Walters. We’ll be there from 13:30 to 15:00.

Lethbridge-Stewart – News Round-Up

slider_lethbridgestewartBeen a busy old week or so for Lethbridge-Stewart. Lots of good things happening, although I can’t comment on all of them. So, this post will talk about some of the highlights which I can comment on.

First of all, as mentioned in the previous post, I’ve been interviewed on two podcasts in the last week. By the fine folks at Kasterborous, where I was joined by Hannah Haisman and Shaun Russell, and we talked exclusively about the series and a bit of the background. Secondly I was interviewed by the insane people at Nerdversity, in which I talked about almost everything, including the new series of books, plus my work on Space: 1889 & Beyond and other assorted work over the years, as well as touching on various other subjects such as Supernatural, Marvel’s Cinematic Universe, Star Trek and loads of other stuff.

Kasterborous podKast…

Nerdversity 101 podcast…

Speaking of interviews. Shaun and I were also recently interviewed by both Doctor Who Magazine and SFX Magazine, and will feature in the next issues, both released at the beginning of February. Without saying what, I can tell you that there’s an exciting little surprise for fans also featured in the next issue of DWM, so be sure to pick up an issue!

The Forgotten Son, and thus the series, will be launched in person on February 28th at The Who Shop in London, under the banner of UNIT Day. We’ll be joined by various UNIT alumni, covering all eras of the organisation — hopefully including actors, writers and, maybe, even the script editor responsible for most of the UNIT stories of the 1970s. See below for more information; flyer designed by the wonderful Sam Hunt of The Who Shop.

The book itself is going through it’s final stage of edits right now (literally as I type this I can see Shaun working on it), which means the book goes to print next week. Exciting stuff!

I can also reveal the final front cover for The Forgotten Son below, as well as an exclusive scene featuring Colonel Lethbridge-Stewart in action…

PodKast – Talking about Lethbridge-Stewart

So… Something fun has happened in the last couple of days. I’ve been interviewed on two podcasts. Curiously they’re being aired in reverse, so the one recorded first is being released second, while the one recorded second is being released first. And the first one is with the Kasterborites Christian Cawley, James McLean and Brian Terranova!

But it’s not only me. Shaun Russell, editor-in-chief of Candy Jar Books is there too, as well as Hannah Haisman… The topic of discussion? Why, Lethbridge-Stewart, of course!

Revisiting the Planet of the Apes

I’ve always loved the Planet of the Apes franchise, ever since I was a kid. It’s like Doctor Who; it’s been around throughout my entire life in some iteration or another. Recently Dawn of the Planet of the Apes was released on DVD – I missed it at the cinema, but I snapped it up as soon as it came to DVD. And what a great film it is! In fact, it was so great it made me want to go back and watch the original film series, and the subsequent TV series.

Last night, for the first ever, I finally finished the TV series. I’ve had the entire collection since it was first released on DVD over ten years ago, and thought I’d watched most of it, but it turns out I only saw the first disc (first four episodes). So silly of me. But anyway, getting ahead of myself. What follows are a few thoughts on the series as whole, as it existed from 1968 to 1974.

PlanetoftheapesPosterPlanet of the Apes

The one that started it all. Based on the novel La Planète des Singes (The Monkey Planet) by Pierre Boulle from 1963 (which, of course, is also the year Doctor Who began), this is one grim little picture. But it did bring science fiction to a larger market – at this point, such films were usually relegated to Saturday mornings for the kids. Pretty much every element of this film works. From Charlton Heston’s embittered George Taylor, a man so disenchanted by humanity that he only joined NASA because he believed there had to be something ‘out there’ better than humanity, all the way through to the clever physical depiction of the apes. Of course you can tell they’re actors in prosthetics, but the performances are so nuanced and believable that you totally find yourself immersed in to the culture shown on film. And, of course, there’s that cliffhanger ending. It’s so expertly done. Not once during the entire course of the film do you suspect that Taylor is actually on Earth in the distant future (at least on first viewing with no previous knowledge of the series – if you’ve only read the book, then that would help sell the surprise somewhat since in the book it is indeed an alien world), but then we come to that most-shocking of endings where Taylor comes across the burnt and decayed remains of the Statue of Liberty and realises that humanity did it – they finally destroyed the world as he knew it. ‘Damn you. Damn you all to hell!’ What’s even more impressive about this ending is that there is almost no way it’d be able to be done effectively these days – such an ending would, in some way, be leaked by somebody. But back then, in 1968, secrecy in the film industry was so much easier. And this film is all the better for it.

Beneath-the-Planet-of-ApesBeneath the Planet of the Apes

Such was the resounding success of the first film that the studio execs immediately wanted a sequel. They had a few problems; the first film was not written with a sequel in mind, and Charlton Heston was not an actor who did sequels. Yet it would be inconceivable to not have Taylor return in the second film, especially because of the way the first had ended. Fact is, anybody going to see Beneath would be expecting the continuation of Taylor’s story. That they got around this is a testament to their incredible creativity, with Heston only agreeing if Taylor was killed off. Which they promptly did. Although not on screen. Due to the nature of the narrative Taylor is only seen at the beginning and the end of the film, with the main narrative taken up by Brent’s story, another astronaut from the early ‘70s who had followed Taylor’s flight path to see where the man had disappeared – and, boy, did he find out. Now, I’m sorry, but I have to say I find James Franciscus a much better actor than Heston, giving a much more subtle performance. It helps, I think, that he’s not made to be mute for a large chunk of the film. This one is quite surreal, but it does feel like a natural progression from what came before. Even to the point where the main apes all return, too, although Cornelius in this instance is not played by Roddy McDowall – the only Apes film not to feature him in the lead ape role (and that includes the TV series, in which he was also the starring ape). It’s when Brent reaches the ruined city in the Forbidden Zone that things get really surreal and, on some level, quite disturbing. There he meets another offshoot of the human survivors of the atomic war that all but destroyed the world. Whereas most humans devolved into almost-savage mutes, the humans in the ruined city have evolved into powerful telepaths with frightening powers. They convince themselves that they are enlightened by their worship of the Bomb (which includes some of the strangest scenes ever, wherein they sing All Things Bright and Beautiful during a worship service, fake skins removed, and lyrics changed to emphasise the worship of the atomic bomb that stands behind the alter of their church), and their refusal to engage in violence and killing – instead they use illusion as a weapon and, when that fails, they telepathically force humans to kill each other. It is all very shocking to watch at times. It really doesn’t hold back in showing the horror of the situation. The final moments of this films are almost more shocking that those of Planet. For here we see these evolved humans decide that if they can’t defeat the apes they will kill them with the bomb – an act that horrifies Taylor after the destruction he’s already seen. And so, Brent already dead, and Taylor dying, he decides that the only way is to end it all. Literally, wipe out all life on the world. Not exactly sure how setting off just the one bomb does that, but it does. Taylor launches the atomic bomb and Earth is destroyed. Such a bleak ending, only enforced by the final narration; ‘In one of the countless billions of galaxies in the universe, lies a medium-sized star, and one of its satellites, a green and insignificant planet, is now dead.’

Escape_from_the_planet_of_the_apesEscape from the Planet of the Apes

This film is very clever, and I’m not entirely sure the makers of it even realised how clever they were being when they came up with a way to tell a third story when the second saw the Earth destroyed. The answer to the problem of how to make a third film and continue the story is, on the surface, a very simple one. Have three apes travel back in time, mere moments before the Earth is destroyed. This creates two wonderful things; great comedy and commentary. Seeing Cornelius and Zira interact with ‘modern’ America is such fun, offering both broad comedy strokes and a wonderful commentary on the stupidity of the sex-war that was so prevalent in Western society at that time. But it’s not all fun, the film soon turns as grim as one comes to expect in an Apes film, when news reaches the humans, and the US President, that the apes escaped a world that was destroyed by humans and gorillas. What started as a nice comedic film, a much needed change of pace from the grimness of the previous two films, turns into some quite dark. Paranoia starts to creep into the story, through the character of Dr Hasslein – an advisor to the president. It’s a great performance, one that could have easily simply become that of antagonist; the film villain, but instead Eric Braeden brings such complexity to the role and you realise that, for all his posturing, you can’t help but agree, at least, in part with his concerns. He honestly believes he’s doing the right thing, that someone has to save Earth’s future, and that’s him! Unfortunately this saving of the future produces some of the darkest moments when he hunts down Cornelius and Zira on to a decommissioned naval ship, and both apes are shot. But not only them; Hasslein coldly kills their newly born baby, Milo, thus ensuring that super-evolved apes will not rise to dominate, and ultimately, destroy the Earth. Such a dark ending was thankfully undercut this time around – I suspect that the studio and writers had enough of bleakness by this point – and we learn that baby Milo is alive and well, swapped with the first chimpanzee born in a circus, and soon to be named Caesar – remember that name, it will become very important to this series. And, in saving the baby’s life the producers of this film series do something that was quite unknown in popular science fiction films of the time, a parallel timeline is created, and the future Taylor visited in the first film is overwritten. But to what extent? Keep reading.

Conquest_of_the_planet_of_the_apesConquest of the Planet of the Apes

In some ways this is my favourite of the original four films, but I can’t honestly pin down why. It’s darker than the rest, dealing with slavery and oppression, showing some of the worst examples of humanity this series have ever explored, and it features a tour de force performance from Roddy McDowall as Caesar. The make-up continues to impress – even though it’s the same actor in chimpanzee make-up, not once do you believe it’s the same character as that seen in the previous three films. The make-up is subtly different, helping to convey that Caesar is the son of Cornelius, and McDowall’s performance is nuanced enough to convince that this is not the ape we’ve been watching thus far. The scenes where the apes are conditioned to obey humans is truly horrible, taking the concept of animal experimentation to the next level, and you can really feel Caesar’s pain at witnessing such torment for his less-evolved fellow apes. The one issue I take with this film is that, at per the series norm, we only ever see three types of apes. Chimpanzees, gorillas and orangutans (although the last less so in this film). This may have been acceptable in the first two films, as there’s no reason to believe other apes survived the atomic war, that somehow only these three breeds of apes were able to survive and evolve. There’s no reason given for this, but you can accept it because it was a believable future. But now we’re in 1991, almost twenty years after the time of the last film, and the rise of the apes is happening in a way that only just resembles the story told by Cornelius in the previous film. Just because Cornelius and Zira travelled back to the past, the future is altered. Only in small ways at this point, but enough that events on Earth are happening more quickly. Perhaps they were the carriers of the disease that eventually led to the plague which wiped out all dogs and cats? Certainly such a plague would have happened, this was an established fact, but in this film it all happened in the eighteen years gap between films, decades, if not centuries, before it was supposed to happen. As a result, humans begin training apes to replace their lost pets, and this intense and cruel training is enough to convince Caesar that a revolution is needed. Unfortunately, due to the ever-decreasing budget, we only see this revolution happen in one small part of one city in the United States, but dialogue is uttered to remind us that this small revolution will spark many others across the world, until the Earth becomes a planet of apes. It’s such a wonderful reversal of fortune for humanity, but Caesar has seen enough in his short life to know that not all humanity is evil, and he’s determined to make the future a better one for all. A decision with has irrevocable impact on the future we saw in Planet. And this is probably why I love this film so much. Coupled with Escape, Conquest drives forward some very innovative (for the time) science fiction ideas.

Battle_for_the_planet_of_the_apesBattle for the Planet of the Apes

So, the final chapter of the original Apes film. It’s a bit of poor ending, really, with the budget at an all-time low, but still it does allow for a more personal story after the madness of Conquest. It’s hard to correctly gauge how much time has passed in between films, but long enough for a full-on nuclear war which destroyed all the major cities across the world. The apes, of course, used that to their advantage and rose to power. Only in this future humans and apes work together; sure, they’re not equals, but neither are slaves, although the bias of power and affluence lies with the apes. It’s easily the weakest of the five films, but it proves to be very important since almost all of the main dramatic beats of this film (and indeed Conquest) are used for the recent reboot series. It’s hard to believe that the little skirmish in this film can be called a battle for a planet, but that’s what the title says, so that’s what we have to accept. I imagine many similar skirmishes happened all across the globe. Of course, as one comes to expect for an American film series, the only action we ever see takes place in America (or the remains of America), which doesn’t help with the concept of the whole planet is under ape control. Certainly, other than the line in Conquest there is nothing in these films to suggest that the apes are even aware of how big Earth is. Minor gripe, and something one comes to accept when watching any form of American science fantasy. And so to the final moments of the film. It seems that Caesar succeeded, at least to some degree, for the Lawgiver is teaching not only apes, but humans, extolling in them the need to live in peace. Which nicely leads me to…

Planet_of_the_Apes_DVD_CoverPlanet of the Apes – The TV Series

The premise of the series is essentially the same as the films; astronauts from the near future arrive in the distant future to find the Earth dominated by apes. In this case the humans, Allan Virdon and the rather gorgeous Peter Burke (James Naughton), hail from 1981, almost mid-way between Escape and Conquest, and the future they arrive in is quite different from that seen in the first film. For the longest time I, and I know many others, thought this series was in a different continuity to the films, but having watched it all in sequence I have come to conclusion that it is, in fact, a continuation of the timeline created by the arrival of Cornelius and Zira in 1973 in Escape. All official merchandise states the time is 3085, almost nine hundred years prior to the time Taylor visited in Planet, however I don’t think it is. There is much on screen evidence to suggest that Burke and Virdon had arrived in roughly the same time period as Taylor, only things are no longer the same due to Caesar’s role in history. For one thing the clothes and caste system among the apes is identitcal to that of Planet, and central city looks exactly the same, and add to the that the appearance of Dr Zaius, a character from the first two films. All of this strongly implies roughly the same setting as the first two films, albeit a revised timeline when humans are no longer mute and savage, just a species who survived an atomic war and forgot much of their history, ala the seeds set in Battle. Humanity is ruled by the apes, but not in the manner seen in the first two films. They’re far from equal, but they do add to the society in which they live, to varying degrees. So, yes, the chronometer on Burke and Virdon’s ship did read 3085 but it is stated that it is also broken by time they crash. Now as a series it’s pretty much your typical formulaic fantasy-based TV series of the ‘70s, carrying with it the usual charm and story-types, but it’s eminently watchable. The characters really make up for any story shortcomings. The guest cast, in particular, Mark Lenard as the gorilla Urko, is fantastic and believable. Urko develops well over the course of fourteen episodes, although he only appears in eleven of them, and although a pretty aggressive and short-tempered individual, he’s also incredibly funny when he’s befuddled by the events around him and the intelligence of his betters – which includes so many, especially the three leads, which includes Roddy McDowall once again, this time as chimpanzee Galen (no doubt a cousin of Cornelius – Galen seems to be related to a lot of the other guest characters!). I should also point out that Mark Lenard is best remembered among fantasy fans for his role as Sarek, Spock’s father in Star Trek, which is fair enough, but it’s worth remembering he played the role of Urko more times than he appeared as Sarek (a total of only seven times). The series does suffer from a common problem in serialised TV, in that the main characters, especially Allan Virdon, has the most amazing skill set ever. He just seems to be able to do everything, whatever the relevant episode needs in fact. Fishing, building hand gliders, curing malaria, horse racing… the list goes on. I may be a bit biased by the fact that Pete Burke is played by the superior actor, and definitely better looking, James Naughton (sorry, a bit shallow of me, perhaps, but Naughton was a dashing young man back in his day and I can’t deny that). He has a wonderful line in physical wit and a great charm in his performance that carries even the weakest episode. It’s a shame the series never continued past fourteen episodes, as towards the ends it started to break out of the usual formula a little, and started to tell some really fascinating stories, introducing a lot of grey areas of morality among the apes.

Planet_of_the_Apes_(2001)_posterThis little retrospective look at Planet of the Apes would not be complete without a mention of the rest of the saga. For a short while there was a cartoon series called Return to the Planet of the Apes but, although I saw it at the time, I have only a vague recollection of it and it’s yet to be released over here properly so I’ve not had a chance to re-watch it. The Apes seems to always exist over the years, be it in comics or some other kind of merchandise, so it was no surprise when in 2001 a new version of the film was made by Tim Burton. It’s not especially well regarded these days, but I have to confess I still rather enjoy it. It’s sufficiently different from the 1968 version to stand on its own, and owes more to the Pierre Boulle novel than the original film did, being set on an alien world and not a future Earth. The ape make-up is obviously a vast improvement, but the cast work it well and pull in some great performances. The ending is fun too, playing on the original shock ending of Taylor finding the Stature of Liberty, only in this case Mark Wahlberg’s hero returns to his own time only to find Washington now controlled by apes, with the Lincoln Memorial now a memorial for the main ape antagonist, General Thade. It seemed to beg a sequel, but one never materialised until 2011 when the Apes universe was rebooted with Rise of the Planet of the Apes, a re-telling of the original series but this time from the chronological point of view of Earth, instead of Dawn_of_the_Planet_of_the_Apesstarting in the future. It makes sense, since the shock revelation of the 1968 film would never work now – the Apes films are far too well known. As mentioned earlier, both Rise and the sequel, Dawn of the Planet of the Apes take quite a few of their narrative beats from Conquest and Battle with the story of Caesar and his leading an ape revolution. This is the reboot the series needed, the fresh breath of life. Dawn was a blockbuster success last year, and the next film in the series is scheduled for release next year, although currently it remains untitled. Let me go on record, though, as saying I believe it will be called War of the Planet of the Apes… Stay tuned to find out if I’m right!

Ten Years of Nu Who… Cause to celebrate?

So, it’s almost been ten years since Doctor Who triumphantly returned to our screens. But, after the recent fiftieth anniversary celebrations, is it too early to celebrate another anniversary, or will it just confuse matters as Russell T Davies says?

I want your thoughts.

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